Lo-fi high five music reviews: Haunt – “Beautiful Distraction” (2021)
Along with having a vocalist whose whine echoes the most grating moments of Judas Priest, the instrumentation of “Beautiful Distraction” is so loosely put together that it probably could have been composed in a half hour.
Student-designed and painted mural debuts in YU café
Tapper had the idea of painting a mural in the Yellowjacket Union Cafeteria after seeing a plain, lifeless grey wall with potential to add some life to the space.
Lo-Fi High Five Music Reviews: Lana Del Rey – Chemtrails Over The Country Club (2021)
Notwithstanding how nearly every track mirrors and embodies the tracklist from “NFR!”, “Chemtrails” attempts to strip back its sound to be as acoustic as possible, or rather as instrumentally stale as possible.
Lo-fi high five music reviews: Foo Fighters – “Medicine at Midnight” (2021)
Though “Medicine at Midnight” is a summer album released during the winter, it is also as perfectly middling as any Foo Fighters fan or non-fan could ask for.
Lo-fi high five music reviews: Grimes – “Miss Anthropocene (Rave Edition)” (2021)
For the most part, Grimes is completely absent from these songs, aside from the surprisingly fleeting instances where her singing is spliced in, sometimes as the only melody to the song.
Lo-fi High Five Reviews: Six Feet Under – Nightmares of the Decomposed (2020)
“Nightmares of the Decomposed,” by American death metal band Six Feet Under, might be one of the funniest listening experiences I’ve steeled myself through in quite a while.
