A Netflix Original, and a bizarrely different role for Brie, “Horse Girl” works in conjunction with multi-layered metaphors, though most predominantly the mental health/illness of the main character, Sarah (Brie).
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With “The Deadbeat Bang of Heartbreak City,” it’s as if Beach Slang just completely re-recorded The Stooges’ “Fun House” (1970) but rearranged the lyrics and threw out all the lasting value of the original.
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I’m always learning more about myself. Learning to love oneself more, despite genitals that don’t coincide with my person, that are a hindrance if anything, that don’t portray who I really am.
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“The Rain in Portugal” is a prime example of poetry, that, albeit full of voice and life, is to some degree gasping for air.
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Although the premise of the film alone was what caught me, its bizarrely unique execution reeled me in further.
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