Deerhoof ’s most recent record, “Future Teenage Cave Artists,” is almost a return to form for the band, calling back to the psychedelic influences that made their midcareer albums so iconic.
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Churning out tape after tape and dozens of tracks on each for only a few years now, Australian producer your best friend jippy’s newest entry, “BEAT TAPE 34,” is possibly jippy’s wildest, smoothest, and most charming beat collection yet.
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Combining sweet indie folk melodies with even prettier indie pop lyricism, Maya Hawke writes songs as if they were secret Valentine letters that may or may not have endearing contents within.
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Pride can only persist and continue if we elevate the voices of people of color, particularly in the queer community, because it’s the voices of those existing in multiple marginalized communities who are the most unheard.
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Minimalist, awash in choruses of sunsets, Emily Keener’s newest record, “I Do Not Have To Be Good,” is an indie folk paradise. Paradise is a loose term; beneath the surface of its sonics is a lackadaisical rebellion for freedom.
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